7.5 Glenda, Fairy Princess
Here’s a supporting cast member in the Aeaea universe who I
developed just because I thought it was odd
Glenda Goodfellow is a pre-teen girl living in the generic
American town of Springdale. After her mother’s death when Glenda was just a
child she was raised by her father until he re-married Harriet Hiss and
provided her with a pair of older step sisters. Unfortunately, Anastasia &
Drusilla Hiss are mean spirited girls who use their popularity and good looks
to cover for their various dastardly deeds, often maneuvering things so that
the somewhat plain and bookish Glenda would take the blame. This changed when
her father gave her a piece of her mother’s jewelry: a key shaped locket which
if held and turned opened a mid-air door to a cabinet of wonders!
It turns out that Glenda’s mother Ella was actually the
princess of a fairy kingdom who fell in love with Glenda’s father from afar.
She relinquished her throne to be with him. The key opens the door to her
mother’s closet, full of shoes and her dairy, which told Glenda a truth her
father had never suspected and hints that foul forces might try to worm their
way into our world through the connection of her union with a mortal.
Fortunately, Ella’s shoes are magical giving Glenda an arsenal of tricks to
help her (on order of importance) stop her step sisters antics, protect her
father from harm, win the heart of the winsome Perry Charm and save the world.
·
Magical Shoe Closet (Primary) Her key amulet
lets her quickly open her mother’s closet and trade shoes to get new powers.
These include Glass Slippers (making her a beautiful, charming graceful adult;
which lasts 15 minutes after she removes them), Puss-N-Boots (become an 30”
anthropomorphic cat with a +3 on fencing rolls), Seven League Boots (teleport
up to 21 miles), Winged Sandals (fly at 700 mph), Invisibility Shoes (turn
invisible), Giants Boots (Grow to 21 feet tall), Dancing Shoes (super agility
and martial arts), and the ability to duck into the closet for up to 3 minutes
at a time (a sort of pocket universe trick).
·
Lucky (secondary): Glenda is luckier than she
has rights to be, which helps her when she pokes into things with which she
ought not be involved.
·
Student (Tertiary) her best subjects are
History, Literature and Biology; she is also Precocious, a bonus with adults,
though it provides no benefit to her peer group, where she is notoriously
inept.
·
Naturalist (Rare) Glenda is at her best in the
woods, where she can Befriend Forest Animals and slink. She received equestrian
training, though ‘finances’ have forced these to be cut back to make space for
her step-sisters' hobbies.
Publication History: Glenda was a 1950’s comic book that
shared shelf space with Archie and Casper, meant as being a relatively comedic
look at suburban teenage and pre-teen life. The book was created by committee
for the Universal Comics line in the wake of the comics code, and puttered along
with modest sales to the female readers. The stories were formulaic and the art
rather pedestrian. In 1961 the book took a slightly more adventurous tone under
Universal Comics Line owner Buck Carlson’s desire to grab just slightly more
market share. The book was given a single regular creative team – Ms. Darcy
Mercer took over penning the book (female view and all that) with Robin “Smith”
Suzewitz and Mike Baker doing the artwork –
and the orders to punch it up a bit.
Mercer, a huge fan of the Lang “Fairy Books” introduced more
and more fairy tale elements, including the unseely threat to Glenda’s father,
to put some more violence in the stories. She also obliquely dealt with issues
of puberty and change in Glenda’s struggles to fit in and her first stabs at
painful romance. Readership improved, though there were several cases where
Mercer had to be strongly edited at the last minute to keep from stepping over
the boundaries set by her bosses. Eventually there was what she later described
as a “flaming row” with her editors over her subversive topics and she left the
book in 1968. The book never had a named writer again, and UC was content to
let the book languish.
Universal Comics was therefore in for a shock when the Gay
rights movement claimed Glenda as an icon, with flags bearing her image and the
motto “come out of the closet” were flown at the gay pride parades in 1970. In
retrospect the idea of gawky, awkward youths becoming beautiful when they wear
their mother’s shoes was more than a little ripe with homosexual subtext, but
no one had noticed it – not even Mercer, who was if anything writing with a
feminist eye, for all that she quickly championed the cause that co-opted her
character.
To give credit where credit is due, UC never cancelled the
Glenda book, and even started reprinting Mercer stories as part of their Glenda
Digests. There was some talk of lawsuits to protect the purity of their image
but Buck Carlson stood firm against it: for one thing, sales were sales; for
another Buck was at heart still the Ad Astran who listened to Dr. Nostalgia as
a child. While he never warmed to “the swishes”, he saw this as a moment to
protect “that glorious polyglot future.” The only real change was that
Springdale, which had been anonymously Middle America previously, suddenly
became West Coastal.
With the Conflagration and merger of the UC comics lines in
1985 Glenda, Fairy Princess was explicitly written in, with Springdale resting
somewhere near San Francisco, where she is an occasional feature in Aeaea, even
as she remains her immortal teenage self, in perpetual angst-filled romantic
longing for Perry Charm and in conflict with her step-sisters.
GM notes: Glenda’s origins are a little complicated, but the
first seed was the 1990’s made for TV mini series The 10th Kingdom. In that the
king of the trolls had a pair of magic shoes that turned him invisible, and
when he captured the female lead he threatened to put her in “dancing shoes”. I
thought “cool!” and was then heartily let down when those turned out to be
metal shoes heated red hot rather than, ya’know, shoes that would force her to
dance, as would befit a fairy tale. From there was born the idea of a closet
full of magical shoes. In doing the write up for Dr. Nostalgia’s publication
history I wanted to include an invented book alongside Archie, and the idea of
the magic shoe heroine re-surfaced in my brain. The gay pride icon angle hit me
immediately, so her name specifically references Ed Wood’s transvestite epic
Glen or Glenda. Once we had that it was clear that she would be make a good
occasional PC in Aeaea, assuming that anyone else has an interest in playing a
‘tween with magic shoes.
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